THE
JOURNEYMAN
THE
JOURNEY WOMAN
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AFRICAN NIGHTMARE
SPECTRE OF FAMINE 1975
5 |
ALIEN |
41 |
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IN |
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ALL |
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ENTER |
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A
LINE
NILE A NILE A NILE A NILE
WAKEFIELD
THE
AWAKENING
FIELD
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occurs |
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15 |
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"SIGNS"
Science Fiction Film 2002
Director
M. Night Shyamalan
"WAKEFIELD"
"SIGNS"
Science Fiction Film 2002
Director
M. Night Shyamalan
www.geocities.com review.
"Do you believe in coincidence ? Maybe things happen for a reason"
"The heart of the movie doesn't necessarily lie in what is behind the crop circles, it's something more enriching. It isn't a story that follows a formula, it doesn't take advantage of the audience by giving them gore or visual distractions. Because what Shyamalan chooses to do is draw on the one thing that can be in your corner when making a film like this. Audience anticipation, and imagination. The less you show the better. I think we've become so conditioned by formulated movies that something like this catches us off guard. It is not meant to be like "Independence Day"..thank god. "Signs" has a lot of symbolism. It's a very intelligent story, the sub-plot is merely the sci-fi element to which the story expands around"
"Do you believe in coincidence ? Maybe things happen for a reason"
"ARE WE ALONE OUT THERE? WELL, MAYBE WE AREN'T EVER REALLY ALONE."
WAKEFIELD MUSEUM
32rd September 05 - 23 April 06 2005
DISCOVERING ANCIENT EGYPT
Display Case
Catalogue of a collection of Antiques from
THE TEMPLE OF KOPTOS
Discovered 1894. Exhibited in the Edwards Library University College Gower Street London.
July 23rd to September1st 1894
WAKEFIELD MUSEUM
32rd September 05 - 23 April 06 2005
DISCOVERING ANCIENT EGYPT
Display Case
Catalogue of the collection of Antiques discovered by Mr Flinders Petrie in Egypt and Palestine
1890
Exhibited at 6 Oxford Mansions 15th September to 11th October
Wakefield wine merchant William Fennell contributed to the cost of Petries excavations at
KOPTOS
1893 - 1894
UNEARTHING THE EGYPTIANS
Information Notice
"It was an English archaeologist William Matthew Flinders Petrie (1852 1942) who laid the foundations of modern egyptology"
"Most of the finds he brought back went to the museums and people who had helped fund his work.
One of them was Wakefield wine merchant William Fennell who received finds from Koptos"
Display Cabinet
Excavations at Koptos 1893-1894
"After the excavations Petrie wrote to Fennel and sent him a sketch and the pots shown in it. They were found in a foundation deposit below part of a temple to the god
MIN
built by
THUTMOSE III 1479-1425 BC."
Display Case
"Akhenaten and Nefertiti at el - Amarna"
"...the name of Queen Nefertiti in its full form Nefer-ne-eru-aten-Nefertiti from Gurob or el-Amarna"
"Howard Carter who later found Tutankhamun's tomb learnt how to excavate at el-Amarna with Petrie in 1891-1892. This was the new capital city the Pharaoh Akhenaten (1352 - 1336) built when he rejected the traditional Egyptian gods in favour of
ATEN
the sun disk"
DAILY TELEGRAPH
Wednesday May 11 th 2005
Nic Fleming
Science Correspondent
Page 5
"THE BOY BEHIND THE MASK"
"TUTANKHAMUN"
"The face of Tutanhamun, the Egyptian boy king whose early death sparked an historical murder mystery was revealed yesterday"
"MASK OF TUTANKHAMUN"
|
TUTANKHAMUN |
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2 |
TUT |
61 |
7 |
7 |
4 |
ANKH |
34 |
16 |
7 |
1 |
AMUN |
49 |
13 |
4 |
|
TUTANKHAMUN |
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1+4+4 |
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1+8 |
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TUTANKHAMUN |
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SUNDAY TIMES
6 March 2005
Nick Fielding
"Scan to solve riddle of King Tut's death"
"THE YOUNG PHARAOH TUTANKHAMUN"
"Harrisons conclusion was that Pa-Nehesy, high priest of Akhenaten Tutankhamun's father had killed the 18 year - old king after accusing him of blasphemy in the ninth year of his reign."
"In 1999 Bob Brier, an American Egyptologist published"
"THE MURDER OF TUTANKHAMUN"
|
TUTANKHAMUN |
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TUT |
61 |
7 |
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4 |
ANKH |
34 |
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1 |
AMUN |
49 |
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TUTANKHAMUN |
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1+4+4 |
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1+8 |
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TUTANKHAMUN |
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WAKEFIELD MUSEUM
32rd September 05 - 23 April 06 2005
DISCOVERING ANCIENT EGYPT
Visit 9th April 2006
"TUTANKHAMUN"
'1336' MINOS '1327'
9
YEARS
|
TUTANKHAMUN |
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2 |
TUT |
61 |
7 |
7 |
4 |
ANKH |
34 |
16 |
7 |
1 |
AMUN |
49 |
13 |
4 |
|
TUTANKHAMUN |
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1+4+4 |
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1+8 |
|
TUTANKHAMUN |
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DISCOVERING ANCIENT EGYPT
WAKEFIELD MUSEUM
32rd September 05 - 23 April 06 2005
Visit 9th April 2006
"TUTANHAMUN"
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- |
2 |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
6 |
= |
|
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
3 |
-- |
|
|
|
occurs |
x |
|
= |
6 |
= |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
|
|
|
occurs |
x |
|
= |
4 |
= |
|
- |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
5 |
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
- |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
- |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
8 |
= |
|
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
|
22 |
T |
U |
T |
A |
N |
K |
H |
A |
M |
U |
N |
|
|
23 |
|
|
|
|
|
|
|
1+1 |
2+2 |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
2+3 |
- |
- |
1+1 |
- |
3+6 |
- |
2+7 |
|
|
T |
U |
T |
A |
N |
K |
H |
A |
M |
U |
N |
|
|
5 |
|
|
|
|
|
|
|
DISCOVERING ANCIENT EGYPT
WAKEFIELD MUSEUM
32rd September 05 - 23 April 06 2005
LIFE AND DEATH
IN
ANCIENT EGYPT
"OSIRIS ISIS SET HORUS"
HAIL TO YOU, YOU WHO HAVING COME
AS
KHEPRI, EVEN KHEPHRI
WHO IS THE CREATOR OF THE GODS.
YOU RISE AND SHINE ON THE BACK OF
YOUR
MOTHER
HAVING APPEARED IN GLORY KING OF THE GODS
From a hymn to the sun God Re at sunrise, from the Book of the Dead.
THE SCULPTURE OF VIBRATIONS 1971
IN
MEMORIUM
WAKEFIELD EXPRESS
Friday March 5th 2004
OBITUARY NOTICES
DENISON , (Nee McTiernan)
NORAH ; On February 28 in Hospital after a short illness aged 93 years. Wife of the late Ernest,
beloved mother
of
Michael, David and John
and a loving Grandma and friend.
Funeral Friday March 5th service at St Paul's Church, AIverthorpe at 9.45 am, followed by
internment in Wakefield Cemetery.
18 N 99
NORAH DENISON
Born 26 July 1910, died February 28th 2004
Rest In Peace
GOODNIGHT AND GOD BLESS DEAR MOTHER
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Explore this cemetery for graves, information and tombstones for names in Wakefield Cemetery in Wakefield, West Yorkshire, a Find A Grave Cemetery.
WAKEFIELD CEMETERY SUGAR LANE
N 18 N
GRAVE NUMBER 99 NUMBER GRAVE
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
L |
= |
3 |
- |
6 |
LOVING |
79 |
34 |
7 |
M |
= |
4 |
- |
6 |
MEMORY |
89 |
35 |
8 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
D |
= |
4 |
- |
4 |
DEAR |
28 |
19 |
1 |
H |
= |
8 |
- |
7 |
HUSBAND |
69 |
24 |
6 |
D |
= |
4 |
- |
3 |
DAD |
9 |
9 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
G |
= |
7 |
- |
7 |
GRANDAD |
49 |
31 |
4 |
S |
- |
47 |
|
41 |
First Total |
|
|
|
- |
- |
4+7 |
- |
4+1 |
Add to Reduce |
3+8+7 |
1+8+9 |
4+5 |
S |
- |
11 |
|
5 |
Second Total |
|
|
|
- |
- |
1+1 |
- |
- |
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
2 |
- |
|
Essence of Number |
|
|
|
E |
= |
5 |
- |
6 |
ERNEST |
81 |
27 |
9 |
D |
= |
4 |
- |
6 |
DENISON |
80 |
35 |
8 |
D |
= |
4 |
- |
4 |
DIED |
22 |
22 |
4 |
T |
= |
2 |
- |
11 |
TWENTYFIRST |
179 |
53 |
8 |
J |
= |
1 |
- |
4 |
JUNE |
50 |
14 |
5 |
N |
= |
5 |
- |
8 |
NINETYNINE |
129 |
57 |
3 |
S |
= |
1 |
- |
11 |
SEVENTY NINE |
152 |
53 |
8 |
A |
= |
1 |
- |
4 |
AGED |
17 |
17 |
8 |
S |
= |
1 |
- |
12 |
SEVENTY THREE |
166 |
58 |
4 |
Y |
= |
7 |
- |
5 |
YEARS |
68 |
23 |
5 |
S |
- |
31 |
|
71 |
First Total |
|
|
|
- |
- |
3+1 |
- |
7+1 |
Add to Reduce |
9+4+4 |
3+5+9 |
6+2 |
S |
- |
4 |
|
8 |
Second Total |
|
|
8 |
- |
- |
- |
- |
- |
Reduce to Deduce |
1+7 |
1+7 |
- |
- |
- |
4 |
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
5 |
NORAH |
56 |
29 |
2 |
L |
= |
3 |
- |
6 |
LOVING |
79 |
34 |
7 |
W |
= |
5 |
- |
4 |
WIFE |
43 |
25 |
7 |
M |
= |
4 |
- |
6 |
MOTHER |
79 |
34 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
G |
= |
7 |
- |
7 |
GRANDMA |
58 |
31 |
4 |
D |
= |
4 |
- |
4 |
DIED |
22 |
22 |
4 |
T |
= |
2 |
- |
11 |
TWENTYEIGHTH |
164 |
65 |
2 |
F |
= |
5 |
- |
8 |
FEBRUARY |
96 |
42 |
6 |
T |
= |
2 |
- |
11 |
TWO THOUSAND |
160 |
43 |
7 |
F |
= |
4 |
- |
4 |
FOUR |
60 |
24 |
6 |
A |
= |
1 |
- |
4 |
AGED |
17 |
17 |
8 |
N |
= |
5 |
- |
11 |
NINETY THREE |
143 |
62 |
8 |
Y |
= |
7 |
- |
5 |
YEARS |
68 |
23 |
5 |
G |
= |
7 |
- |
9 |
GOODNIGHT |
99 |
54 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
G |
= |
7 |
- |
8 |
GODBLESS |
83 |
38 |
2 |
S |
- |
74 |
|
112 |
First Total |
|
|
|
- |
- |
7+4 |
- |
1+1+2 |
Add to Reduce |
1+2+8+4 |
5+7+3 |
8+7 |
S |
- |
|
|
|
Second Total |
|
|
|
- |
- |
1+1 |
- |
- |
Reduce to Deduce |
1+5 |
1+5 |
1+5 |
- |
- |
2 |
- |
|
Essence of Number |
|
|
|
GRAVE NUMBER N 99
9 |
DONCASTER |
99 |
36 |
9 |
1 |
N |
14 |
5 |
5 |
- |
99 |
- |
- |
- |
T |
= |
2 |
- |
4 |
TYAS |
65 |
11 |
2 |
E |
= |
5 |
- |
5 |
E |
5 |
5 |
5 |
T |
= |
2 |
- |
4 |
TYAS |
65 |
11 |
2 |
S |
- |
9 |
|
13 |
Add to Reduce |
|
|
|
- |
- |
- |
- |
1+3 |
Reduce to Deduce |
1+3+5 |
2+7 |
- |
S |
- |
9 |
|
4 |
Essence of Number |
|
|
|
THE FAMILY
|
|
|
|
|
|
|
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|
|
|
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|
|
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|
|
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|
|
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|
|
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|
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|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
25 |
7 |
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
45 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
9+9 |
4+5 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
|
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|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
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|
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|
|
1 |
|
13 |
4 |
|
|
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|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
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|
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|
|
|
|
|
|
|
|
99 |
45 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
9+9 |
4+5 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
- |
- |
- |
A |
1 |
1 |
1 |
|
|
20 |
2 |
|
|
|
12 |
3 |
|
|
|
13 |
4 |
|
|
|
5 |
5 |
|
|
F |
6 |
6 |
|
- |
Y |
25 |
7 |
7 |
|
H |
8 |
8 |
|
|
I |
9 |
9 |
|
|
|
- |
- |
- |
|
|
- |
- |
- |
9 |
Add to Reduce |
99 |
45 |
45 |
- |
Reduce to Deduce |
9+9 |
4+5 |
4+5 |
9 |
Essence of Number |
18 |
9 |
9 |
DENIS MICHAEL DENISON
Born 18th July 1937
Died July 5th 2024
REST IN PEACE
In loving memory of Michael Denison much beloved of his family, born of Ernest and Norah Denison, dear brother to David and John, born 18th June 1937, who after a short illness died in Pinderfields Hospital, Wakefield on 5th of July 2024. Rest in Peace.
At the age of 11, Michael won a scholarship to Thornes House Grammar School in Wakefield. Academically, he did extremely well at the school and as result was awarded a place on a degree course at Bradford College. It was not an easy time, Michael sometimes walked to college or back toWakefield.
There was a Chess café in Bradford which he liked to frequent, his brother David would visit him for a cup of tea and a game, where they either played together or with other players in the cafe. Chess had already become a hugely important part of Michael’s life.
Michael duly graduated with flying colours from Bradford College. His mother Norah Denison (nee McTiernan) and brother David travelled overnight from Wakefield to London to proudly witness Michael receiving his science degree from Queen Elizabeth the Queen Mother, wife of King George V, at the Albert Hall.
He later taught his specialist subjects at Crofton School Near Wakefield, and later Snapethorpe Secondary Modern School.
From a sporting perspective, as a young man, Michael was a very good cricketer. A fast bowler, he would leap in the air at the end of his run up to ‘wang,’ a common colloquial verb of the time, his delivery bowled with genuine pace to the batsman’s end. He was also more than decent player with bat in hand.
I have a few more memories to include.
Where we lived as a family.at 70 Oakwood Avenue Flanshaw Park, which was a two bedroomed terrace house. Mother Norah and Father Ernest had three boys, Michael the eldest, david the middle one and John. The situation was somewhat cramped and grandma Alice now on her own in a three bedroomed house provided a relief to the problem of three boys in one room. Michael went to live at 14 Shepley street Eastmoor estate around 12 years old, after a few years he returned to the parental home and David went to live with Grandma Mac. Subsequently after around 4 years David returned to the family home and Michael went back to live at number 14. After grandma Alices death Michael retuned to the family home where he lived the rest of his life. Very much alone after the passing of Ernest and much later Mother Norah. Both Alice and Norah proved strong and positive influences on Michael.
Michael and I went to Gibraltar in our early teens, we flew in a Viscount propeller driven aircraft. We stayed with Auntie Marion and Uncle Stewart and their childies, Shirley and Richard.
Can you believe it, whilst there, Michael and I caught the ferry from Gibraltar across to North Africa, Tangiers. We had an adventure whilst there, becoming involved in an argument with locals over a charge for something or other, got chased along the streets. but we were off and outrun our chasers.
In Gibralter, we would wander about on the beach and in shallow sea holding Michaels pocket chess set, by that time Michael had me properly hooked.
And if I made a wrong move and only realised after Michael pointed it out. Our generous Michael allowed me to take the move back and have another go.
I finished up being taught by him so well I did on occasion play at board 3 for Wakefield Chess Club with Michael number 1. God bless you dear brother.
Following his graduation, Michael pursued a career in the teaching profession. He taught Biology, Mathematics, Physics and Chemistry in the Wakefield area at both Crofton School and Snapethorpe Secondary Modern in Lupset. At Snapethorpe his love of nature and gardening equipped him to keep an observation Bee hive to the great interest of his students.
He also avidly taught chess, publicly and privately,without charge, passing the Kings game on, not only to many members of our family for which we were all most grateful, but far and wide beyond that social group. Some would say this was inevitable, due to his long term involvement with the Wakefield Chess Club. He fronted the Wakefield chess team for many years, which he joined aged 16, and the game became his lifetime passion. Playing top board in many inter-club encounters and on occasion becoming the champion of the Wakefield Club. He also served as club secretary for some time.
Once he had retired as a school teacher, his commitment to teaching chess in the local community was unparalleled. Michael literally spent years running a chess club at Queen Elizabeth School Wakefield and latterly, years teaching chess at Wakefield Girls High School, where he was held in great esteem for his dedication to his vocation. All of which was conducted on a voluntary basis.
Michael was also very fond of gardening, as well as the birds visiting his garden. He kept his avian community fed and watered throughout the year at the Denison family home on Oakwood Avenue in Flanshaw Park. Enjoying a reputation for green-fingers, he specialised in nursing other people’s house plants back to rude health from the brink of extinction, as well as propagating dynasties of offspring from hardier specimens which he generously passed on to to friends and family.
Michael was 87 when he passed over to the other side of the other side on the 5th of July, 2024, after a protracted struggle with what became a terminal illness. In the words of his dear mother Norah Denison: “Goodnight and Godbless our Michael, you were a kind, sensitive and caring son and brother, uncle, cousin and friend.
To a true teacher and spreader of the chess message with love from us all.
I'M DENISON
FROM THE I'M DENISON
DIMENSION
DEDICATED TO MY BROTHER MICHAEL DENISON
ITS ONLY OF LATE AS I SIT HERE ALONE
AND REFLECT ON THE PASSING OF TIME
THAT I FEEL THE AGING OF FLESH ON THE BONE
THE GRAYING OF HAIR AS A SIGN
OF A DAY THAT IS LONG AND NOW NEARLY O'ER
OF A NIGHT JUST ABOUT TO BEGIN
OF THE WORKING IN MAN OF GODS HOLY LAW
AND A TIME FOR THE PAYING OF SIN
WILL FOOT NE'R AGAIN SQUELCH SOFT ON WET GRASS
NOR TEETH ON RIPE APPLE TO BITE
SHALL I NEVER AGAIN DRINK BEER FROM A GLASS
WENDING SLOW ON MY WAY FEELING TIGHT.
AND WHAT OF THE FAMILY,
AND FRIENDS LEFT BEHIND
THE PEOPLE I'VE MET ON THE WAY
I WONDER, WELL, DO YOU THINK THEY'LL MIND
DO YOU THINK THEY'LL HAVE OUGHT TO SAY
NOW FEAR BESETS THIS ONCE PROUD HEART
AND ICE IN THE MARROW I FEEL
AT LAST SO IT SEEMS THE TIME COMES TO PART
TIRED SOUL FROM THIS BODY TO STEAL
GOODNIGHT AND GODBLESS
OUR
MICHAEL
WITH LOVE FROM THE VERY ALL OF US
ONE OF MICHAELS FAVOURITE POEMS
Elegy Written in a Country Churchyard
Poem by Thomas Gray
Elegy Written in a Country Churchyard
BY THOMAS GRAY
The curfew tolls the knell of parting day,
The lowing herd wind slowly o'er the lea,
The plowman homeward plods his weary way,
And leaves the world to darkness and to me.
Now fades the glimm'ring landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds;
Save that from yonder ivy-mantled tow'r
The moping owl does to the moon complain
Of such, as wand'ring near her secret bow'r,
Molest her ancient solitary reign.
Beneath those rugged elms, that yew-tree's shade,
Where heaves the turf in many a mould'ring heap,
Each in his narrow cell for ever laid,
The rude forefathers of the hamlet sleep.
The breezy call of incense-breathing Morn,
The swallow twitt'ring from the straw-built shed,
The cock's shrill clarion, or the echoing horn,
No more shall rouse them from their lowly bed.
For them no more the blazing hearth shall burn,
Or busy housewife ply her evening care:
No children run to lisp their sire's return,
Or climb his knees the envied kiss to share.
Oft did the harvest to their sickle yield,
Their furrow oft the stubborn glebe has broke;
How jocund did they drive their team afield!
How bow'd the woods beneath their sturdy stroke!
Let not Ambition mock their useful toil,
Their homely joys, and destiny obscure;
Nor Grandeur hear with a disdainful smile
The short and simple annals of the poor.
The boast of heraldry, the pomp of pow'r,
And all that beauty, all that wealth e'er gave,
Awaits alike th' inevitable hour.
The paths of glory lead but to the grave.
Nor you, ye proud, impute to these the fault,
If Mem'ry o'er their tomb no trophies raise,
Where thro' the long-drawn aisle and fretted vault
The pealing anthem swells the note of praise.
Can storied urn or animated bust
Back to its mansion call the fleeting breath?
Can Honour's voice provoke the silent dust,
Or Flatt'ry soothe the dull cold ear of Death?
Perhaps in this neglected spot is laid
Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have sway'd,
Or wak'd to ecstasy the living lyre.
But Knowledge to their eyes her ample page
Rich with the spoils of time did ne'er unroll;
Chill Penury repress'd their noble rage,
And froze the genial current of the soul.
Full many a gem of purest ray serene,
The dark unfathom'd caves of ocean bear:
Full many a flow'r is born to blush unseen,
And waste its sweetness on the desert air.
Some village-Hampden, that with dauntless breast
The little tyrant of his fields withstood;
Some mute inglorious Milton here may rest,
Some Cromwell guiltless of his country's blood.
Th' applause of list'ning senates to command,
The threats of pain and ruin to despise,
To scatter plenty o'er a smiling land,
And read their hist'ry in a nation's eyes,
Their lot forbade: nor circumscrib'd alone
Their growing virtues, but their crimes confin'd;
Forbade to wade through slaughter to a throne,
And shut the gates of mercy on mankind,
The struggling pangs of conscious truth to hide,
To quench the blushes of ingenuous shame,
Or heap the shrine of Luxury and Pride
With incense kindled at the Muse's flame.
Far from the madding crowd's ignoble strife,
Their sober wishes never learn'd to stray;
Along the cool sequester'd vale of life
They kept the noiseless tenor of their way.
Yet ev'n these bones from insult to protect,
Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture deck'd,
Implores the passing tribute of a sigh.
Their name, their years, spelt by th' unletter'd muse,
The place of fame and elegy supply:
And many a holy text around she strews,
That teach the rustic moralist to die.
For who to dumb Forgetfulness a prey,
This pleasing anxious being e'er resign'd,
Left the warm precincts of the cheerful day,
Nor cast one longing, ling'ring look behind?
On some fond breast the parting soul relies,
Some pious drops the closing eye requires;
Ev'n from the tomb the voice of Nature cries,
Ev'n in our ashes live their wonted fires.
For thee, who mindful of th' unhonour'd Dead
Dost in these lines their artless tale relate;
If chance, by lonely contemplation led,
Some kindred spirit shall inquire thy fate,
Haply some hoary-headed swain may say,
"Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away
To meet the sun upon the upland lawn.
"There at the foot of yonder nodding beech
That wreathes its old fantastic roots so high,
His listless length at noontide would he stretch,
And pore upon the brook that babbles by.
"Hard by yon wood, now smiling as in scorn,
Mutt'ring his wayward fancies he would rove,
Now drooping, woeful wan, like one forlorn,
Or craz'd with care, or cross'd in hopeless love.
"One morn I miss'd him on the custom'd hill,
Along the heath and near his fav'rite tree;
Another came; nor yet beside the rill,
Nor up the lawn, nor at the wood was he;
"The next with dirges due in sad array
Slow thro' the church-way path we saw him borne.
Approach and read (for thou canst read) the lay,
Grav'd on the stone beneath yon aged thorn."
THE EPITAPH
Here rests his head upon the lap of Earth
A youth to Fortune and to Fame unknown.
Fair Science frown'd not on his humble birth,
And Melancholy mark'd him for her own.
Large was his bounty, and his soul sincere,
Heav'n did a recompense as largely send:
He gave to Mis'ry all he had, a tear,
He gain'd from Heav'n ('twas all he wish'd) a friend.
No farther seek his merits to disclose,
Or draw his frailties from their dread abode,
(There they alike in trembling hope repose)
The bosom of his Father and his God.
A
FAVOURITE FLOWER
Potentilla 'Gibson's Scarlet'
REST IN PEACE
OUR
MICHAEL
----- Original Message -----
From: sherpa42
To: david@denizen
Sent: Saturday, July 25, 2009 1:36 PM
Subject: Thank you
Good Afternoon Davide,
Hope all is well? Good to see you last night. It was a nice crowd that were out. I drunk a bit too much too quickly and bailed out about 11-00. I had a good birthday though...
Thanks for the card and the money. It is much appreciated. They have a tent sale on at Mitchells at the moment and I have an eye on one that will be great for the 3 of us.
You probably know but Grandma would have been 99 tomorrow. God bless her...
Have a good weekend and speak to you soon.
Thanks Mat
----- Original Message ----- From: Dave Denison
To: sherpa42
Sent: Saturday, July 25, 2009 7:45 PM
Subject: Ninety nine and all that.
Matthew thank you for the photographs.
Also I very much appreciated being reminded about Grandma, that had she lived she would have been 99 tomorrow. So I will visit Norah and Ernests grave Number 99 tomorrow Sunday 26th of July 2009
All good wishes David
----- Original Message ----- From: Dave Denison
To: english bird
Sent: Sunday, July 26, 2009 9:36 PM
Subject: Fw: ninety nine and all that
Hi Nicola I have just sent the e-mail below to wah Matt.
I hope you and Rosie had a good day and you got back home safely, and no doubt back to work tomorrow, but hey Nic we have the Emley show next Saturday.
Have a good week love and look forward to seeing you soon.
Love Dad
----- Original Message ----- From: Dave Denison
To: sherpa42
Sent: Sunday, July 26, 2009 9:29 PM
Subject: ninety nine and all that
Hi Matthew just to let you know I went to the cemetery this afternoon around 4-opm. I took some wisteria flowers and bought a begonia which I have planted. Two of the previous plants were still showing a red one and a nice yellow. Also the rose bush at the side is coming into flower, The grave could do with weeding and the grass chopping back a little. But I will do that later. I was so grateful that you told me Matthew, it was amazing how did you make that association ?. Certainly I would have been upset to have missed that most important recognition, so thank you very much.
I have used our e-mail interchange in conjunction with other material to sow the seed with others. I feel as if I should put all this on the site eventually we shall have to see.
I am really looking forward to seeing Big Frank and everybody else at the Emley show next Saturday so fingers crossed for good weather I hope you manage to get the tent you mentioned. That would be good.
Take care
Love to you all Davide.
T |
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DISCOVERING ANCIENT EGYPT
WAKEFIELD MUSEUM
32rd September 05 - 23 April 06 2005
Information Notice
DEATH AND BURIAL
"The Egyptians believed that their spirit (ba) went to another world after they died. The body had to be preserved as a place for the soul (ka) to live in the afterlife."
Information Notice
DEATH AND BURIAL
JUDGEMENT
"The Egyptian's believed that they were judged to see if they were to go to the afterlife. The heart was weighed against
MAAT'S FEATHER OF TRUTH
In front of the god
OSIRIS
If they were condemned then their heart was devoured by
AMMUT
the eater of the dead. If they passed judgement, they entered the land of
OSIRIS
and found everlasting life and happiness"
THE
HOURS OF HORUS
THE SUN
Friday, April 21, 2006
Headline Front Page
"THE SUN"
HOLY BIBLE
Scofield References
THE ACTS OF THE APOSTLES
C1 v 16
Page 1148 (part quoted)
MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED WHICH
THE HOLY GHOST BY THE
MOUTH
OF
DAVID
SPAKE
DAILY MAIL
Tuesday, July 12, 2006
Answers to Correspondents
Compiled by James Legge and Charles Legge
Page 48
"QUESTION When was the Star of David first used as a symbol?
ACCORDING to research undertaken by Christopher Knight and Robert Lomas for their book The Hiram Key, which studies the history of Freemasonry, the origins of the hexagram are ancient Egyptian. The design is made up from two pyramids, the upward (symbol omitted) pointing one is the symbol of the power of the king; its base on the earth and its point reaching up to heaven.
The other pyramid represents the power of the priest, being based in heaven and pointing down to earth. Conjoined they form the Star of David.
The two pyramids came to represent the double Messiah; the kingly and the priestly messiahs.
As such, it is the true sign of Jesus who saw himself as a both priestly (he was a rabbi) and kingly (royal House of David) Messiah- the living 'star of David'.
The star of David does not appear in ancient Jewish books other than as one of many decorations, having no special significance to Jews at that time. It was used in Europe on buildings erected by the Knights Templar and on Christian churches in the Middle-Ages.
In the 19th century the mostly non-Jewish architects who designed synagogues wanted a symbol which was as important as the Cross was to Christianity or the crescent was to Islam. Searching around, they settled on-the hexagram; so its use as the symbol of Judaism is relatively modern.
James Morris,
Leighton Buzzard, Beds
DAILY MAIL
Thursday, June 8, 2006
Page 23
"RAINBOW THAT SET THE SKY ON FIRE"
From Barry Wigmore in Washington
IN a breathtaking blaze of glory, Nature puts on one of its most spectacular sky shows.
In reds, oranges, blues and greens, it looks as though a flaming rainbow is stretched above the clouds.
But this circumhorizon arc, as it is known, owes more to ice than fire. It occurs when sunlight passes through ice crystals in high cirrus clouds. It is one of 15 types of ice halos formed only when the most specific of factors dovetail precisely together. This blanket of fire, covering hundreds of square miles, is the rarest phenomenon of them all. It was spotted in the U.S. on the. Washington/Idaho border around midday last Saturday.
Dr Jonathan Fox, of the U.S. National Weather Service In Spokane, Washington, said: 'It was even more spectacular than the Northern Lights. I feel lucky to have seen it because it only forms In very rare situations. . This is the first one I've ever seen. It was a breathtaking sight and it hung around for about an hour.'
To create a rainbow of fire, clouds mus1 be at least 20,000ft high and the Ice crystals within them align horizontally Instead of their usual vertical position. The sun also needs to be at least 58 degrees above th. horizon. Then, the magic can begin
"I MET A YOUNG GIRL SHE GAVE ME A RAINBOW"
Bob Dylan 1963
GODS AND SPACEMEN IN THE ANCIENT WEST
W. Raymond Drake
'Now the Gods return again to those Lands of the Sunset'
Page 199
The title 'Inca' meant 'Of the Sun'
"The Inca, Son of the Sun, was renowned as divine. He was God come down to Earth."
1 |
I |
9 |
9 |
9 |
4
|
INCA |
27 |
18 |
9 |
3 |
THE |
33 |
15 |
6 |
6 |
DIVINE |
63 |
36 |
9 |
3 |
SON |
48 |
21 |
3 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
3 |
SUN |
54 |
18 |
9 |
25 |
|
|
|
|
|
|
2+8+8 |
1+4+4 |
5+4 |
9 |
|
|
|
|
THE SUN
Saturday May 29th
Page 93
SUPERDAD
Chris is on the March
By Julie Stott
Page 93
"CHRIS MARCH is getting shirty with twin sons Paul and David.
Devoted father Chris has followed his sons' careers religiously but the identical twins, 24, have threatened to tear his loyalties down the middle since joining different clubs.
So Chris has come up with the idea of having a two-way shirt espe-cially made for himself.
One half is made up of David's Wakefield Wildcats colours and the other half is Paul's Huddersfield Giants strip.
And Chris will be wearing it tomor- row when Giants host the Wildcats at the McAlpine Stadium.
Wildcats hooker and vice-captain David said: "Luckily we've both got the same squad number, so there is no problem there. Dad has the No 9 on the back and the name March above it and keeps us both happy."
Paul said: "When we play against each other mum and dad don't know who to cheer for."
"Dad has the No 9 on the back"
WAKEFIELD EXPRESS
Friday April 14 2006
Page 7
IS
YOUR DAD GREAT
?
"HE can cheer you up when you're miserable, v he always has some good advice and he always thinks about. you before'he thinks about himself.
Everyone's dad is special and, here at the Express, we've decided the time has come to recognise the best dads in' the district.
We are asking you to tell us why your! dad should be crowned Dad of the Year 1 for 2006 - with some great prizes on offer
for the winner.
He doesn't have to have climbed Everest or fought off a great white shark; he could simp1y be special to you because of the small things he does.
maybe he helps you with your homework
or ta.kes you to watch the football every
week.
We have some fantastic prizes, including a meal-for-five at the exclusive Woodlands Hotel with a limousine taking and bringing the winner and his guests back home.
Set in green, tranquil, landscaped gardens on the outskirts of Leeds, this fabulous hotel has its origins in the early 19th century - the building was previously a wealthy local textile mill owner's mansion. After a £5 million renovation, the interior has been lovingly restored.
There is also a cash prize of £100 for the dad to treat himself to something special on Father's Day.
Nominating your Dad of the Year couldn't be easier. Simply fill in the coupon, stating in no more than 30 words exactly why your dad deserves this coveted honour and then return it - with a picture of.your dad - to the address at the bottom. Nominations must be received by Friday, April 28.
Send your completed nomination forms
to Usa Rookes,
Newsdesk, Wakefield Express, Express House, Southgate, Wakefield, WF1 1 TE. Don't forget to include a photograph of
your nominee.
Please mark your envelopes 'Dad of the Year Competition' . All usual YWNG rules apply. Winners will be expected to take part in publicity."
"DAD OF THE YEAR NOMINATION"
- |
DAD |
- |
- |
- |
1 |
A |
1 |
1 |
1 |
2 |
DD |
4 |
4 |
8 |
3 |
DAD |
9 |
9 |
9 |
- |
MAM |
- |
- |
- |
1 |
M |
13 |
13 |
4 |
1 |
A |
1 |
1 |
1 |
1 |
M |
13 |
13 |
4 |
3 |
MAM |
27 |
27 |
9 |
- |
- |
2+7 |
2+7 |
|
3 |
DAD |
9 |
9 |
9 |
- |
MAM+DAD |
- |
- |
- |
3 |
DAD |
9 |
9 |
9 |
- |
- |
- |
- |
- |
3 |
MAM |
27 |
9 |
9 |
6 |
DAD+MAM |
36 |
18 |
18 |
|
|
3+6 |
1+8 |
1+8 |
5 |
|
|
|
|
3 |
DAD |
9 |
9 |
9 |
5 |
CHILD |
36 |
27 |
9 |
2 |
MAM |
27 |
9 |
9 |
5 |
DAD CHILD MAM |
72 |
45 |
27 |
|
|
7+2 |
4+5 |
2+7 |
7 |
|
|
|
|
DIVINE LOVE LOVE DIVINE
WAKEFIELD EXPRESS
Friday March 5th 2004
"ROOKIE officer PC999 Phil Jacobs met his' collar-number counterpart - and discovered they had the same surname too.
In a bizarre coincidence 20-year-old Phil, of West Yorkshire Police, met PC 999 David Jacobs, who has been a North Yorkshire officer for more than 30 years, and realised they shared the same profession, name and famous number.
The veteran officer, who came to Wakefield to teach in the force's driver training school at Crofton, had a word of advice for his young namesake,
"Hand the number in," David joked. , "I heard the same jokes over and over again. A popular one was, 'What are you doing with your phone number on your shoulder?'
"Sometimes you just laugh it off and eventually your colleagues get sick of making jokes. But I stuck it for 30 years and they still remember me."
David, 51, spotted Phil's picture in West Yorkshire Police's internal magazine The Beat.
"I was snapped in an identical pose in the Police Review magazine as Phil was for his picture in The Beat almost 25 years later," he said.
David was front-page news in the national papers in 1980 when his quirky number was noticed and recent recruit Phil hit the headlines in December when he was given his collar number.
Phil, who will begin walking the beat in Wakefield next month after he finishes training, said: "It is such a coincidence and quite spooky that we both have the same name and unusual number. We're not related though."
"...999..." "...999..."
WEST YORKSHIRE METROPOLITAN POLICE
"FORM 88
LEEDS CITY POLICE
'R' DIVISION POLlCE STATION, LEEDS..3.
R Gregory, Q.P. Chief Constable
Telephone 35353 (Code 0532)
Telex 55135
Our- Ref. R/PC. 464. . . . . . . . . . . . . . . . . . . . . . . .Your- Ref. 12th June, 1974
Dear Sir, I am directed by the Chief Constable to inform you that it has been reported that
in Kirkstall Road, Leeds,
on Wednesday, 22nd May, 1974, at 9,50 p.m
you drove motor car AYG- 999 H and failed to conform to a traffic sign (traffic light)
Having regard to all the circumstances of the case, it has been decided to caution you
in this instance on the assumption that we will have your co-operation in future in the observance of the law.
Yours Faithfully
Chief Superintendent"
RIDGE SERVICE STATION
Meanwood Road, Leeds
"VAT Reg 239 0886 35"
"Invoice No . . . . . . . . . No. 0932 Customer's Copy"
"Customers Name
Date promised 8 - 5 - 74
Make. . . Hillman
Reg. number AYG 999 H
Manufactures Spares"
"DYNAMO"
COMBERHILL (Yorkshire) GARAGES Ltd
INGS ROAD WAKEFIELD WF1 1 RB
V.A.T. Reg. No. 168 9520 25
"Customer No 004710
Date In 25 - 5 - 74 . . . Time Required ASAP
Model/Year Imp Sport
Regn. No AYG 999 H"
FRANK B. JOHNSON (OTLEY) LTD.
Moter Vehicle Engineers
Cross Green, Otley
DEPARTMENT OF THE ENVIROMENT
TEST CERTIFICATE
"Serial Number DB 132983
The motor vehicle of which the Registration Mark (a)/Chassis or Serial Number (a) is
AYG 999 H
having been examined under section 65 of the Road Traffic Act 1960, it is hereby certified that at the date of the examination thereof the statuory requirements prescribed by Regulations made under the said section 65 were complied with in relation to the vehicle.
Vehicle Testing Station Number. .34070.
.
Signature.
Date of issue SEPT 14TH 1972
Date of expiry SEPT 13th 1973
Serial Number of immediately preceding Certificate. . . "
WAKEFIELD EXPRESS
Friday June 8 2001
Headlines Front page
"MAN DIES IN 999 MIX-UP"
WAKEFIELD EXPRESS
Friday June 15 2001
Page 6
"Voice of Wakefield"
"There was no 999 'mix-up"
"Last week's front page story headlined 'Man dies in 999 Mix Up contained a number of factual errors"
WAKEFIELD EXPRESS
WAKEFIELD EXTRA
Thursday March 22 2007
Page 22
Car Advert -from only-
"£9999"
DAILY MAIL
Wednesday, March 8, 2006
Flights and Overseas Holidays
Page 66
"CRUISE TO BRAZIL"
"£999"
DAILY MAIL
Wednesday, August 16, 2006
Answers To Correspondents
Compiled by James Black and Charles Legge
Page 51
"...The Norman Invasion of Britain in 1066 was not their first expansion outside their new lands. In AD999 Norman pilgrims returning from Jerusalem landed at Salerno, Sicily
DAILY MAIL
Friday, March 30, 2007
James Slack Home Affairs Editor
Page 35
"One officer in 40 responds to 999 calls
"Only one in 40 police officers is available to respond to 999 calls because bureaucracy is leaving so many stuck at their desks."
"This means that in a town of 90,000 inhabitants, only four officers would be on patrol"
beldar.blogs.com/beldarblog/
30 March 2007
"My name is Leading Seaman Faye Turney," begins the voice on the video.
"I come from England. I serve on Foxtrot 99, and I've been in the Navy nine years."
"Foxtrot 99"
is Her Majesty's Ship Cornwall, the British frigate on which Leading Seaman Turney serves"
The Islamic Republic of Iran's seizure by armed force of 15 uniformed British sailors and marines
from Iraqi territorial waters on 15 March 2007"
DAILY MAIL
Tuesday, April 3. 2007
Matthew Hickley Defence Correspondent
Page 11
"Turney described herself as a sailor serving aboard 'Foxtrot Nine Nine'.
F-99 is the pennant number of the Royal Navy Frigate HMS Cornwall, but a British sailor would never refer to a ship by that number either in conversation or in writing.
One Navy insider said: 'It's like being asked what type of car you drive, and responding with its registration number it's all wrong"
"...They appeared more composed, but tellingly both men also referred to HMS Cornwall as 'Foxtrot Nine Nine'."
DAILY MAIL
Tuesday, April 3, 2007
Answers to Correspondents
Compiled by James Black and Charles Legge
Page 68
"On the move: The hunt is on to find a new home for the Russian Foxtrot submarine moored in the River Medway, one of only five on display around the world
The submarine on the River Medway at Strood Pier is a 300ft Russian Foxtrot class diesel electric submarine from the Cold War ers.
There are only four other Russian Foxtrot submarines on display around the world: in San Diego and Long beach; California; Zeebrugge in Holland; and Kalingrad in Russia. Foxtrot B-39 (U475) was built in 1967, and used for training foreign submariners - Libyan Cuban and Indian.
Following a 27 year stint, she was in active service with the Russian Baltic Fleet until April 1, 1994"
"The current owners aquired the submarine in September 1999 which has been operated as a maritime attraction since then." John Sutton
STORM ON THE SUN
HOW THE SUN AFFECTS LIFE ON EARTH
Joseph Goodavage
1979
Page 5
THE STAR
Chapter
1
"Eliminate the impossible. Whatever remains, however improbable must be true"
Sherlock Holmes
DAILY MAIL
WEEKEND
Saturday 15 July 2006
Your Week Ahead
Jonathan Cainer
Page 85 (number omitted)
"TAURUS Apr 21 - May 21: 'When you have eliminated all which is impossible, then whatever remains, however improbable, must be the truth.' Sir Arthur Conan Doyle gave these words to Sherlock Holmes. You don't, though, have to be a great detective in order to see their relevance in your life this week. Something seemingly far-fetched is taking place. The more you try to understand it, the more confused you become. Surely, something can't really be happening or someone has got hold of the wrong end of the stick. Really, though;you had best believe the evidence of your own eyes. What's happening may be very strange but it is very positive."
RA-IN-BOW
DAILY MAIL
Thursday, June 8, 2006
Page 23
"RAINBOW THAT SET THE SKY ON FIRE"
From Barry Wigmore in Washington
IN a breathtaking blaze of glory, Nature puts on one of its most spectacular sky shows.
In reds, oranges, blues and greens, it looks as though a flaming rainbow is stretched above the clouds.
But this circumhorizon arc, as it is known, owes more to ice than fire. It occurs when sunlight passes through ice crystals in high cirrus clouds. It is one of 15 types of ice halos formed only when the most specific of factors dovetail precisely together. This blanket of fire, covering hundreds of square miles, is the rarest phenomenon of them all. It was spotted in the U.S. on the. Washington/Idaho border around midday last Saturday.
Dr Jonathan Fox, of the U.S. National Weather Service In Spokane, Washington, said: 'It was even more spectacular than the Northern Lights. I feel lucky to have seen it because it only forms In very rare situations. . This is the first one I've ever seen. It was a breathtaking sight and it hung around for about an hour.'
To create a rainbow of fire, clouds mus1 be at least 20,000ft high and the Ice crystals within them align horizontally Instead of their usual vertical position. The sun also needs to be at least 58 degrees above th. horizon. Then, the magic can begin.
HURRAH FOR RAH FOR RAH HURRAH
THE BOOK
ON THE TABOO AGAINST KNOWING WHO YOU ARE
Alan Watts 1966
Page 94
"As we saw, a single ball in space has no motion, whereas two balls give the possibility of linear motion, three balls motion in a plane, and four balls motion in three dimensions.
The same is true for the activation of an electric current. No current will "flow" through a wire until the positive pole is connected with the negative, or, to put it very simply, no current will start unless it has a point of arrival. and a living organism is a "point of arrival" apart from which there can never be the "currents" or phenomena of light, heat, weight, hardness, and so forth. One might almost say that the magic of the brain is to evoke these marvels from the universe, as a harpist evokes melody from the silent strings.
A still more cogent example of existence as relationship is the production of a rainbow.1 For a rainbow appears only when there is a certain triangular relationship between three components: the sun, moisture in the atmosphere, and an observer. If all three are present. and if the angular relationship between them is correct, then, and then only, will there be the phenomenon "rainbow." Diaphanous as it may be, a rainbow is no subjective hallucination. It can be verified by any number of observers, though each will see it in a slightly different position. As a boy. I once chased the end of a rainbow on my bicycle and was amazed to find that it always receded. It was like trying to catch the reflection of the moon on water. I did not then understand that no rainbow would appear unless the sun, and I, and the invisible center of the bow were on the same straight line, so that I changed the apparent position of the bow as I moved.
The point is, then, that an observer in the proper position is as necessary for the manifestation of a rainbow as the other two components. the sun and the moisture. Of course, one could say that if the sun and a body of moisture were in the / Page 95 / right relationship, say, over the ocean, any observer on a ship that sailed into line with them would see a rainbow. But one could also say that if an observer and the sun were correctly aligned there would be a rainbow if there were moisture in the air!
Somehow the first set of conditions seems to preserve the reality of the rainbow apart from an observer. But the second set, by eliminating a good, solid "external reality," seems to make it an indisputable fact that, under such conditions, there is no rainbow. The reason is only that it supports our current mythology to assert that things exist on their own, whether there is an observer or not. It supports the fantasy that man is not really involved in the world, that he makes no real difference to it, and that he can observe reality independently without changing it. For the myth of this solid and sensible physical world which is "there," whether we see it or not, goes hand-inhand with the myth that every observer is a separate ego, "confronted" with a reality quite other than himself.
Perhaps we can accept this reasoning without too much struggle when it concerns things like rainbows and reflections, whose reality status was never too high. But what if it dawns on us that our perception of rocks, mountains, and stars is a situation of just the same kind? There is nothing in the least unreasonable about this. We have not had to drag in any such spooks as mind, soul, or spirit. We have simply been talking of an interaction between physical vibrations and the brain with its various organs of sense, saying only that creatures with brains are an integral feature of the pattern which also includes the solid earth and the stars, and that without this integral feature (or pole of the current) the whole cosmos would be as unmanifested as a rainbow without droplets in the sky, or without an observer. Our resistance to this reasoning is psychological. It makes us feel insecure because it unsettles a familiar / Page 96 / image of the world in which rocks, above all, are symbols of hard, unshakeable reality, and the Eternal Rock a metaphor for God himself. The mythology of the nineteenth century had reduced man to an utterly unimportant little germ in an unimaginably vast and enduring universe. It is just too much of a shock, too fast a switch, to recognize that this little germ with its fabulous brain is evoking the whole thing, including the nebulae millions of light-years away.
Does this force us to the highly implausible conclusion that before the first living organism came into being equipped with a brain there was no universe-that the organic and inorganic phenomena came into existence at the same temporal moment? Is it possible that all geological and astronomical history is a mere extrapolation-that it is talking about what would have happened if it had been observed? Perhaps. But I will venture a more cautious idea. The fact that every organism evokes its own environment must be corrected with the polar or opposite fact that the total environment evokes the organism. Furthermore, the total environment (or situation) is both spatial and temporal-both larger and longer than the organisms contained in its field. The organism evokes knowledge of a past before it began, and of a future beyond its death. At the other pole, the universe would not have started, or manifested itself, unless it was at some time going to include organisms-just as current will not begin to flow from the positive end of a wire until the negative terminal is secure. The principle is the same, whether it takes the universe billions of years to polarize itself in the organism, or whether it takes the current one second to traverse a wire 186,000 miles long."
THE
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINES
HAVE
IT
THOUGHT
THE VERY FAR YONDER SCRIBE
Information Notice
DEATH AND BURIAL
O
SHABTI
Display Case
"Group of Terracotta figures showing
Isis the mother of Horus and sister of Osiris"
SUNDAY TIMES
July 24th 2005
"Tut Tut Curse of the Pharaohs hits BBC drama"
"Howard Carter's excavation of Tutankhamun's tomb Giovanni Battista Belzoni's discovery of the Valley of the Kings and the work of Jean Francois Champollion who first deciphered hieroglyphs"
SCIENTIFIC AMERICAN
Updated from the 1996 issue
Andre G. Mc Dowell
Page 68
DAILY LIFE IN ANCIENT EGYPT
"Workmen and their families lived some 3000 years ago in the village now known as"
"DEIR EL MEDINA"
Page 72
"MYSTERIES OF THE ANCIENT ONES"
"BRING HONEY FOR MY EYES"
"From papyrus found in the archive of a resident scribe"
"In this extract the writer presents an unusual tribute to learning"
"In short the writer appeals to the great Egyptian aspirations to immortality"
"As for the learned scribes from the time that came after the gods - those who foretold the things to come their names endure forever, although they have gone having completed their lifetime and their relatives are forgotten.
They did not make for themselves pyramids of copper with tombstones of iron. They were unable to leave an heir in the form of children [who would] pronounce their name, but they made for themselves an heir of the writings, and instructions they had made"
999
GLOBAL WARNING GLOBAL WARNING
999
GLOBAL WARMING GLOBAL WARMING
999
www.ancientegyptianmagazine.com
"NINE MEASURES OF MAGIC"
2 Part 2; The role of the Magician in Egyptian Society"
In a Late Period monument, the Metternich Stela (c350 BC), there appears the following declaration from
"ISIS THE GODDESS OF MAGIC"
I
AM
ISIS
THE
GODDESS
THE POSSESSOR OF MAGIC, WHO PERFORMS MAGIC, EFFECTIVE OF SPEECH, EXCELLENT OF WORDS
NAMASTE
AUM MANI PADME HUM
ALL HAIL THE JEWEL AT THE CENTRE OF THE LOTUS
- |
I HAVE COME |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
2 |
HA |
9 |
9 |
9 |
2 |
VE |
27 |
9 |
9 |
2 |
CO |
18 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
9 |
I HAVE COME |
|
|
|
|
|
8+1 |
|
4+5 |
|
I HAVE COME |
|
|
|
FROM WHERE HAVE YOU COME
?
FROM WHOLE SOURCE HAVE I COME
Daily Mail. Tuesday. March 31, 2015
Page 68
The point of pentangles
ANSWERS TO CORRESPONDENTS
QUESTION
Which culture first used the pentangle and how did it become associated with the occult?
THE pentangle is usually represented as the pentagram, a five-pointed, linear star within a circle, worn or drawn with the point facing up.
It served to mark directions in Sumerian texts, dating from about 30BC, and is found in most early cultures. The ancient Greeks established its symbolic status.
Greek mathematician and philosopher Pythagoras believed five was the number of perfection, because of the fivefold division of the body (head, arms and legs outstretched) mirroring the division of the soul into fire, water, air, earth and psyche. The Pythagoreans held the pentacle sacred to Hygeia, the goddess of healing.
Early Christians wore the pentagram to represent the five wounds of Christ and to symbolise the five senses.
In the 14th-century English poem Sir Gawain And The Green Knight, the symbol decorates the shield of the hero, Gawain. The anonymous poet credits the symbol's origin to King Solomon, and explains that each of the five interconnected points represents a virtue tied to a group of five: Gawain is keen in his five senses, dextrous in his five fingers, faithful to the salvation provided through the Five Wounds of Christ, takes courage from the five joys that Mary had of Jesus and exemplifies the five virtues of knighthood.
Renaissance-era ritual magicians, Henry Cornelius Agrippa von Nettesheim (14861535) and Giordano Bruno (1548-1600), used the pentagram to represent the perfection of the human body. To Bruno, five was the `number of the soul' because the human form is bound by five outer points. He warned magicians and sorcerers could perform spells by using the pentagram as it was a window to the soul.
As Bruno and other Renaissance philosophers and magicians were executed under the Inquisition, perhaps the symbol came to be associated with evil forces.
By the mid-19th century, a further distinction had developed among occultists regarding the pentagram's orientation. With a single point upwards it depicted a spirit presiding over the four elements of matter and was essentially 'good'.
Occultists and satanists now claimed that the inverted pentagram was evil, the sign of the Devil even. Influential French occultist Eliphas Levi (1810-75) stated: 'A reversed pentagram, with two points projecting upwards, is a symbol of evil and attracts sinister forces because it overturns the proper order of things and demonstrates the triumph of matter over spirit. 'It is the goat of lust attacking the heavens with its horns, a sign execrated by initiates.'
Symbolic: Anton LaVey, of the Church of Satan, with an inverted pentangle (image omitted)
Brian Cummings, Hay-on-Wye, Powys.
THE NEW VIEW OVER ATLANTIS
John Michell 1983
Page 150
"A series of clues to the composition of the final pyramidion at the very apex of the Pyramid begins with an observation in A.E. Berriman's Historical Metrology on the antiquity of the British or Imperial inch. There are a number of old Egyptian weights in the British Museum, and others from Greece and Babylon, whose standard of reference has proved to be the cubic inch of gold. Were it not for the common but inappropriate use of metric units in publishing details of antique weights, that feature would be more generally recognized. Five is the number chiefly associated with the pyramid form; which has five faces and five corners,
PYRAMID = 86 = PYRAMID
PYRAMID = 41 = PYRAMID
PYRAMID = 5 = PYRAMID
Five is the number chiefly associated with the pyramid form; which has five faces and five corners
FIVE THE NUMBER CHIEFLY ASSOCIATED WITH THE PYRAMID FORM, WHICH HAS FIVE FACES AND FIVE CORNERS ,
- |
- |
- |
- |
- |
PYRAMID |
- |
- |
- |
- |
- |
- |
- |
1 |
P+Y |
41 |
14 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
|
- |
|
|
1 |
A+M |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
D |
D |
4 |
4 |
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
32 |
- |
- |
- |
- |
- |
- |
8+6 |
4+1 |
3+2 |
P |
= |
|
|
7 |
PYRAMID |
14 |
5 |
5 |
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
P |
= |
|
|
7 |
PYRAMID |
5 |
5 |
5 |
Y RAM MARY MARY Y RAM
- |
- |
- |
- |
- |
PYRAMID |
- |
- |
- |
- |
- |
- |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
|
- |
|
|
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
A |
1 |
1 |
1 |
- |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
|
- |
|
|
1 |
I |
9 |
9 |
9 |
- |
|
- |
- |
1 |
D |
4 |
4 |
4 |
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
41 |
- |
- |
- |
- |
- |
- |
8+6 |
4+1 |
4+1 |
P |
= |
|
|
7 |
PYRAMID |
14 |
5 |
5 |
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
P |
= |
|
|
7 |
PYRAMID |
5 |
5 |
5 |
PYRE AMIDST THE STONE
- |
- |
- |
- |
- |
PYRE |
- |
- |
- |
- |
- |
- |
- |
2 |
P+Y |
41 |
14 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
P |
= |
|
- |
4- |
PYRE |
- |
- |
- |
- |
- |
- |
- |
- |
AMID |
- |
- |
- |
|
- |
|
|
2 |
A+M |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
D |
4 |
4 |
4 |
A |
= |
|
- |
- |
AMID |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
8 |
|
8 |
- |
91 |
46 |
37 |
- |
- |
- |
- |
- |
- |
8+6 |
4+6 |
3+7 |
- |
- |
8 |
|
8 |
|
10 |
10 |
10 |
- |
- |
- |
- |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
8 |
|
8 |
|
1 |
1 |
1 |
FIRE AMIDST THE STONE
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
5 |
P |
= |
|
|
7 |
PHARAOH |
67 |
40 |
4 |
- |
- |
14 |
|
14 |
Add to Reduce |
153 |
81 |
9 |
- |
- |
1+4 |
- |
1+4 |
Reduce to Deduce |
1+5+3 |
8+1 |
1+8 |
- |
- |
5 |
|
5 |
Essence of Number |
9 |
9 |
9 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
|
5 |
GREAT |
51 |
24 |
6 |
P |
= |
7 |
|
7 |
PYRAMID |
86 |
41 |
5 |
O |
= |
6 |
|
2 |
OF |
21 |
12 |
3 |
G |
= |
7 |
|
4 |
GIZA |
43 |
25 |
7 |
|
|
|
|
21 |
First Total |
|
|
|
|
|
2+9 |
|
2+1 |
Add to Reduce |
2+3+4 |
1+1+7 |
2+7 |
|
|
|
|
3 |
Second Total |
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
- |
- |
- |
|
|
|
|
|
Essence of Number |
|
|
|
4 |
ISIS |
56 |
20 |
2 |
6 |
OSIRIS |
89 |
35 |
8 |
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
|
- |
OSIRIS |
- |
|
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
S |
= |
1 |
- |
3 |
SOS |
53 |
26 |
8 |
- |
- |
28 |
|
6 |
OSIRIS |
|
|
|
- |
- |
2+8 |
- |
- |
- |
8+9 |
5+3 |
3+5 |
- |
- |
10 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
1+0 |
- |
- |
- |
1+7 |
- |
- |
- |
- |
|
- |
6 |
OSIRIS |
|
|
|
- |
- |
- |
|
- |
OSIRIS |
- |
|
- |
S |
= |
1 |
- |
3 |
SO |
34 |
16 |
7 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
- |
1 |
IS |
28 |
10 |
1 |
- |
- |
28 |
|
6 |
OSIRIS |
|
|
|
- |
- |
2+8 |
- |
- |
- |
8+9 |
5+3 |
3+5 |
- |
- |
10 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
1+0 |
- |
- |
- |
1+7 |
- |
- |
- |
- |
|
- |
6 |
OSIRIS |
|
|
|
- |
EGYPT |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
|
- |
5 |
1 |
G |
7 |
7 |
7 |
- |
7 |
- |
1 |
Y |
25 |
7 |
7 |
- |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
7 |
- |
1 |
T |
20 |
2 |
2 |
|
- |
2 |
5 |
EGYPT |
73 |
28 |
28 |
- |
21 |
7 |
|
- |
7+3 |
2+8 |
2+8 |
- |
2+1 |
- |
5 |
EGYPT |
10 |
10 |
10 |
|
3 |
7 |
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
5 |
EGYPT |
1 |
7 |
7 |
|
3 |
7 |
SR intro Pentauch
https://www.suscopts.org › srintropentateuch
B. The term "Pentateuch" comes from the Greek term pent-teuchos meaning "five- volumes (book) after the Jewish designation, "the five-fifths of the law"
THE TERM "PENTATEUCH"
COMES FROM THE GREEK WORD PENT - TEUCHOS MEANING
"FIVE -
VOLUMES OR (BOOKS) AFTER THE JEWISH DESIGNATION,
THE FIVE FITHS OF THE LAW" ...
|
PENTATEUCH |
|
|
|
1 |
|
16 |
7 |
|
1 |
|
5 |
5 |
|
1 |
N |
14 |
5 |
5 |
3 |
|
41 |
5 |
|
1 |
|
5 |
5 |
|
3 |
|
32 |
5 |
|
|
PENTATEUCH |
|
|
|
- |
|
1+1+3 |
4+1 |
4+1 |
|
PENTATEUCH |
|
|
|
LOOK AT THE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE5FIVES
P |
= |
7 |
- |
9 |
PENTATEUCH |
113 |
41 |
5 |
Pentateuch
the first five books of the Old Testament (Genesis, Exodus, Leviticus, Numbers, and Deuteronomy). Traditionally ascribed to Moses, it is now held by scholars to be a compilation from texts of the 9th to 5th centuries bc.Jewish name Torah.
What is the Greek word for pentateuch?
The Greek word Pentateuch (“five books”) refers to the first five books of the Bible, collectively to Genesis, Exodus, Leviticus, Numbers, and Deuteronomy. To a Jew, these five books are also known collectively as Torah, or The Torah. Traditionally, it is understood that the Pentateuch was written by Moses,...
What Is the Pentateuch in the Bible?
https://www.biblestudytools.com/bible-study/topical-studies/what...
23/02/2019 · The Greek word Pentateuch (“five books”) refers to the first five books of the Bible, collectively to Genesis, Exodus, Leviticus, Numbers, and Deuteronomy. To a Jew, these five books are also known collectively as Torah, or The Torah.
What is the Pentateuch? | GotQuestions.org
https://www.gotquestions.org/Pentateuch.html
02/01/2020 · The word Pentateuch comes from a combination of the Greek word penta, meaning “five” and teuchos, which can be translated “scroll.” Therefore, it simply refers to the five scrolls that make up the first of three divisions of the Jewish canon.
SR intro Pentateuch
https://www.suscopts.org › srintro pentateuch
B. The term "Pentateuch" comes from the Greek term pent-teuchos meaning "five- volumes (book) after the Jewish designation, "the five-fifths of the law".
If you've never heard of the Five Books of Moses (not actually composed by Moses; people who believe in divine revelation see him as more secretary than author), you've heard of the Torah and the Pentateuch, the Hebrew and Greek names, respectively, for the first five books of the Hebrew Bible: Genesis, Exodus
P |
= |
7 |
- |
9 |
PENTATEUCH |
113 |
41 |
5 |
Pentateuch Definition & Meaning - Merriam-Webster
www.merriam-webster.com › dictionary › Pentateuch
Pentateuch means simply "five books". In Greek, the Pentateuch (which Jews call the Torah) includes the books of Genesis, Exodus, Leviticus, Numbers, ...
Pentateuch
noun
Pen·?ta·?teuch 'pen-t?-?tük How to pronounce Pentateuch (audio) -?tyük
: the first five books of Jewish and Christian Scriptures
Did you know?
Pentateuch means simply "five books". In Greek, the Pentateuch (which Jews call the Torah) includes the books of Genesis, Exodus, Leviticus, Numbers, and Deuteronomy. These contain some of the oldest and most famous stories in the Bible, including those of Adam and Eve, Jacob and his brothers, and Moses, as well as some of the oldest codes of law known, including the Ten Commandments.
Word History
Etymology
Middle English Penteteuke, from Late Latin Pentateuchus, from Greek Pentateuchos, from penta- + teuchos tool, vessel, book, from teuchein to make — more at doughty
First Known Use
15th century, in the meaning defined above
LOOK AT THE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
|
PENTATEUCH |
|
|
|
1 |
|
16 |
7 |
|
1 |
|
5 |
5 |
|
1 |
N |
14 |
5 |
5 |
3 |
|
41 |
5 |
|
1 |
|
5 |
5 |
|
3 |
|
32 |
5 |
|
|
PENTATEUCH |
|
|
|
- |
|
1+1+3 |
4+1 |
4+1 |
|
PENTATEUCH |
|
|
|
P |
= |
7 |
- |
9 |
PENTATEUCH |
113 |
41 |
5 |
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
- |
- |
- |
- |
- |
- |
8 |
|
|
|
1+3 |
|
|
= |
|
|
|
|
|
- |
- |
14 |
- |
- |
- |
- |
- |
- |
8 |
|
|
|
2+2 |
|
|
= |
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
5 |
|
2 |
1 |
2 |
5 |
3 |
3 |
|
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
|
16 |
5 |
|
20 |
1 |
20 |
5 |
21 |
3 |
|
|
|
|
9+3 |
|
|
1+0 |
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
5 |
14 |
20 |
1 |
20 |
5 |
21 |
3 |
8 |
|
|
|
1+1+3 |
|
|
= |
|
|
|
|
|
7 |
5 |
5 |
2 |
1 |
2 |
5 |
3 |
3 |
8 |
|
|
|
4+1 |
|
|
= |
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
4 |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
5 |
- |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
6 |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
7 |
|
|
- |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
|
|
|
|
- |
|
- |
|
|
|
8 |
|
|
|
occurs |
x |
|
= |
|
= |
|
9 |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
|
|
|
5 |
- |
|
- |
|
|
|
|
|
|
2+6 |
|
|
|
|
4+1 |
|
3+2 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
7 |
5 |
5 |
2 |
1 |
2 |
5 |
3 |
3 |
8 |
|
|
- |
|
|
|
|
- |
|
- |
1 |
9 |
|
|
|
T |
|
T |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
- |
- |
- |
- |
- |
- |
8 |
|
|
|
1+3 |
|
|
= |
|
|
|
|
- |
- |
14 |
- |
- |
- |
- |
- |
- |
8 |
|
|
|
2+2 |
|
|
= |
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
5 |
|
2 |
1 |
2 |
5 |
3 |
3 |
|
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
16 |
5 |
|
20 |
1 |
20 |
5 |
21 |
3 |
|
|
|
|
9+3 |
|
|
1+0 |
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
5 |
14 |
20 |
1 |
20 |
5 |
21 |
3 |
8 |
|
|
|
1+1+3 |
|
|
= |
|
|
|
|
7 |
5 |
5 |
2 |
1 |
2 |
5 |
3 |
3 |
8 |
|
|
|
4+1 |
|
|
= |
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
- |
1 |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
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|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
5 |
- |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
7 |
|
|
- |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
- |
|
- |
|
|
|
8 |
|
|
|
occurs |
x |
|
= |
|
= |
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|
|
|
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|
|
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|
5 |
- |
|
- |
|
|
|
|
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|
2+6 |
|
|
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|
4+1 |
|
3+2 |
|
|
|
|
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|
|
|
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|
|
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|
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|
7 |
5 |
5 |
2 |
1 |
2 |
5 |
3 |
3 |
8 |
|
|
- |
|
|
|
|
- |
|
- |
9 |
|
|
|
T |
|
T |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
HEXATEUCH |
|
|
|
4 |
|
38 |
20 |
|
5 |
|
57 |
21 |
|
|
HEXATEUCH |
|
|
|
- |
|
9+5 |
4+1 |
|
|
HEXATEUCH |
|
|
|
- |
|
1+4 |
- |
|
|
HEXATEUCH |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
N |
= |
5 |
- |
6 |
NINETY |
87 |
33 |
6 |
N |
= |
5 |
- |
4 |
NINE |
42 |
24 |
6 |
S |
- |
12 |
|
13 |
Add to Reduce |
|
|
|
- |
- |
1+2 |
-`` |
1+3 |
Reduce to Deduce |
1+6+2 |
7+2 |
1+8 |
S |
- |
4 |
|
4 |
Essence of Number |
|
|
|
5 x 14 = 70
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
5 x 14 = 70
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
|
|
|
|
- |
|
|
|
- |
|
|
|
- |
|
|
|
E |
|
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
- |
|
|
|
E |
|
- |
|
|
|
H |
|
- |
|
|
|
E |
|
8 |
- |
- |
6 |
- |
6 |
5 |
- |
- |
- |
- |
6 |
- |
- |
8 |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
9 |
- |
- |
- |
1 |
9 |
6 |
- |
1 |
- |
- |
- |
5 |
- |
- |
9 |
- |
8 |
- |
- |
5 |
9 |
5 |
- |
|
26 |
- |
- |
15 |
- |
15 |
14 |
- |
- |
- |
- |
15 |
- |
- |
8 |
- |
- |
- |
- |
- |
15 |
- |
- |
- |
- |
9 |
- |
- |
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5 |
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3 |
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6 |
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4 |
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1 |
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6 |
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1 |
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14 x 5 x 14
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
14 x 5 x 14
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
|
occurs |
x |
|
= |
2 |
= |
|
|
occurs |
x |
|
= |
6 |
= |
|
|
occurs |
x |
|
= |
3 |
= |
|
|
occurs |
x |
|
= |
8 |
= |
|
|
occurs |
x |
|
= |
70 |
7+0 |
|
|
occurs |
x |
|
= |
42 |
4+2 |
|
|
occurs |
x |
|
= |
7 |
= |
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
occurs |
x |
|
= |
63 |
6+3 |
|
|
|
|
|
|
|
|
|
4+5 |
|
|
4+0 |
|
2+2+5 |
|
5+4 |
|
|
|
|
|
|
|
|
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
Z5RO O55 T5O THR55 FOUR FIV5 SIX S5V55 5IGHT 5I55
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
|
|
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8 |
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6 |
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6 |
5 |
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6 |
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8 |
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6 |
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9 |
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1 |
9 |
6 |
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1 |
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5 |
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9 |
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8 |
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5 |
9 |
5 |
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|
26 |
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15 |
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15 |
14 |
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15 |
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8 |
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15 |
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9 |
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19 |
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24 |
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14 |
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9 |
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2 |
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|
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23 |
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22 |
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24 |
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14 |
5 |
|
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9 |
6 |
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5 |
5 |
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2 |
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6 |
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8 |
9 |
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5 |
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6 |
6 |
3 |
9 |
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9 |
4 |
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1 |
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6 |
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1 |
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|
5 |
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2 |
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6 |
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2 |
8 |
9 |
5 |
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6 |
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3 |
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6 |
9 |
4 |
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1 |
9 |
6 |
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1 |
5 |
4 |
5 |
5 |
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9 |
7 |
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2 |
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9 |
5 |
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E |
|
- |
|
|
|
H |
|
- |
|
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|
E |
|
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 14 = 70
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x14 = 70
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 14 = 70
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 14 = 70
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
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1+1+2 |
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26 |
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15 |
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15 |
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2+5+6 |
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1+3 |
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1+1+3 |
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20 |
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2+6+6 |
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1+4 |
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26 |
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8 |
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5 |
5 |
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6 |
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21 |
18 |
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6 |
9 |
22 |
5 |
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19 |
9 |
24 |
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19 |
5 |
22 |
5 |
14 |
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5 |
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7 |
8 |
20 |
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9 |
14 |
5 |
+ |
= |
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5+2+2 |
= |
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8 |
5 |
9 |
6 |
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6 |
5 |
5 |
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2 |
5 |
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2 |
8 |
9 |
5 |
5 |
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6 |
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3 |
9 |
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6 |
9 |
4 |
5 |
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1 |
9 |
6 |
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1 |
5 |
4 |
5 |
5 |
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5 |
9 |
7 |
8 |
2 |
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5 |
9 |
5 |
5 |
+ |
= |
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2+2+5 |
= |
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T |
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1 |
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1 |
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- |
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- |
- |
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- |
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- |
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+ |
= |
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occurs |
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2 |
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2 |
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2 |
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2 |
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+ |
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occurs |
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3 |
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- |
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3 |
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+ |
= |
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occurs |
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1 |
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- |
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- |
- |
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4 |
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4 |
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- |
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+ |
= |
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occurs |
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2 |
= |
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- |
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5 |
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- |
- |
- |
5 |
5 |
- |
- |
5 |
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5 |
5 |
- |
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5 |
- |
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- |
5 |
- |
5 |
5 |
- |
5 |
- |
- |
- |
- |
- |
5 |
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5 |
5 |
+ |
= |
|
occurs |
x |
14 |
= |
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7+0 |
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6 |
- |
6- |
- |
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- |
- |
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6 |
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6 |
6 |
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6 |
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6 |
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- |
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- |
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- |
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+ |
= |
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occurs |
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7 |
= |
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4+2 |
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- |
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7 |
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+ |
= |
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occurs |
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1 |
= |
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- |
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8 |
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8 |
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8 |
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+ |
= |
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occurs |
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3 |
= |
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2+4 |
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- |
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9 |
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9 |
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9 |
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9 |
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9 |
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9 |
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9 |
- |
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+ |
= |
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occurs |
x |
7 |
= |
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6+3 |
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R |
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O |
N |
E |
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T |
W |
O |
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T |
H |
R |
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E |
- |
F |
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R |
- |
F |
I |
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5 |
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5 |
5 |
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- |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
- |
5 |
- |
5 |
5 |
- |
5 |
- |
- |
- |
- |
- |
5 |
- |
5 |
5 |
|
|
4+5 |
|
|
4+0 |
|
2+2+5 |
|
5+4 |
|
|
R |
|
- |
O |
N |
E |
- |
T |
W |
O |
- |
T |
H |
R |
E |
E |
- |
F |
O |
U |
R |
- |
F |
I |
V |
E |
- |
S |
I |
X |
- |
S |
E |
V |
E |
N |
- |
E |
I |
G |
H |
T |
- |
N |
I |
N |
E |
|
|
|
|
|
|
|
|
|
|
8 |
5 |
9 |
6 |
- |
6 |
5 |
5 |
- |
2 |
5 |
6 |
- |
2 |
8 |
|
5 |
5 |
- |
6 |
6 |
3 |
|
- |
6 |
|
4 |
5 |
- |
1 |
|
6 |
- |
1 |
5 |
4 |
5 |
5 |
- |
5 |
|
7 |
8 |
2 |
- |
5 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
- |
O |
N |
E |
- |
T |
W |
O |
- |
T |
H |
R |
E |
E |
- |
F |
O |
U |
R |
- |
F |
I |
V |
E |
- |
S |
I |
X |
- |
S |
E |
V |
E |
N |
- |
E |
I |
G |
H |
T |
- |
N |
I |
N |
E |
|
|
|
|
|
|
|
|
|
|
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 14 = 70
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 14 = 70
|
occurs |
x |
|
= |
2 |
= |
|
|
occurs |
x |
|
= |
6 |
= |
|
|
occurs |
x |
|
= |
3 |
= |
|
|
occurs |
x |
|
= |
8 |
= |
|
|
occurs |
x |
|
= |
70 |
7+0 |
|
|
occurs |
x |
|
= |
42 |
4+2 |
|
|
occurs |
x |
|
= |
7 |
= |
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
occurs |
x |
|
= |
63 |
6+3 |
|
|
|
|
|
|
|
|
|
4+5 |
|
|
4+0 |
|
2+2+5 |
|
5+4 |
|
|
|
|
|
|
|
|
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 14 = 40
the letter E
According to the data, the most common letter in the English language is the letter E
E typically takes first place regardless of which analysis method is used.
What's The Most Common Letter Used In English?
Thesaurus.com
https://www.thesaurus.com › ways-to-say › most-commo...
Letter Frequencies in the English Language is the letter E
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
T |
= |
2 |
- |
3 |
|
56 |
29 |
2 |
T |
= |
2 |
- |
5 |
|
52 |
16 |
7 |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
F |
= |
6 |
- |
4 |
|
65 |
20 |
2 |
S |
= |
1 |
- |
3 |
|
42 |
24 |
6 |
S |
= |
1 |
- |
5 |
|
58 |
13 |
4 |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
- |
- |
34 |
- |
36 |
- |
|
|
|
- |
|
3+4 |
|
3+6 |
- |
4+5+8 |
1+9+7 |
4+4 |
- |
|
|
|
|
- |
|
|
|
- |
|
- |
|
|
- |
1+7 |
1+7 |
- |
- |
- |
7 |
- |
9 |
- |
|
|
|
|
|
|
3 |
|
34 |
16 |
|
|
|
|
3 |
|
58 |
13 |
|
|
|
|
5 |
|
56 |
29 |
|
|
|
|
4 |
|
60 |
24 |
|
F |
+ |
6 |
4 |
FIVE |
42 |
24 |
6 |
|
|
|
3 |
|
52 |
16 |
|
|
|
|
5 |
|
65 |
20 |
|
|
|
|
5 |
|
49 |
31 |
|
|
|
|
4 |
|
42 |
24 |
|
|
|
|
|
- |
|
|
|
|
|
3+9 |
3+6 |
- |
4+5+8 |
1+9+7 |
4+4 |
|
|
|
|
- |
|
|
|
|
|
1+2 |
|
- |
- |
- |
|
|
|
|
|
- |
|
|
|
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Page 32
5
To Sorcerers and Magicians number FIVE is the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.
THE
BALANCING
ONE TWO THREE FOUR
FIVE
NINE EIGHT SEVEN SIX
O |
= |
15 |
- |
3 |
|
34 |
16 |
7 |
- |
1 |
T |
= |
20 |
- |
3 |
|
58 |
13 |
4 |
- |
2 |
T |
= |
20 |
- |
5 |
|
56 |
29 |
2 |
- |
3 |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
- |
4 |
- |
- |
61 |
- |
15 |
Add |
208 |
82 |
19 |
- |
10 |
- |
- |
6+1 |
- |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+0 |
- |
- |
7 |
- |
6 |
Deduce |
10 |
10 |
10 |
- |
1 |
- |
- |
- |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
7 |
- |
6 |
Essence |
1 |
1 |
1 |
- |
1 |
N |
= |
14 |
- |
4 |
|
42 |
24 |
6 |
- |
9 |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
- |
8 |
S |
= |
19 |
- |
5 |
|
65 |
20 |
2 |
- |
7 |
S |
= |
19 |
- |
3 |
|
52 |
16 |
7 |
- |
6 |
- |
- |
57 |
- |
17 |
Add |
208 |
91 |
19 |
- |
30 |
- |
- |
5+7 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
- |
3+0 |
- |
- |
12 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
3 |
- |
- |
1+2 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
3 |
- |
8 |
Essence |
1 |
1 |
1 |
- |
3 |
1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
4 |
FIVE |
42 |
24 |
6 |
17 |
NINE EIGHT SEVEN SIX |
208 |
91 |
1 |
3 |
|
34 |
16 |
7 |
- |
3 |
|
52 |
16 |
7 |
3 |
|
58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
|
56 |
29 |
2 |
- |
5 |
|
49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
|
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
ALWAYS BALANCING IS THAT FIVE THAT FIVE IS BALANCING ALWAYS
ONE TWO THREE FOUR
FIVE
SIX SEVEN EIGHT NINE
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
4 |
FIVE |
42 |
24 |
6 |
17 |
NINE EIGHT SEVEN SIX |
208 |
91 |
1 |
|
|
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= |
6 |
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- |
|
15 |
6 |
6 |
|
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= |
5 |
|
- |
|
14 |
5 |
5 |
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= |
5 |
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- |
|
5 |
5 |
5 |
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16 |
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34 |
16 |
16 |
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= |
2 |
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- |
|
20 |
2 |
2 |
|
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|
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|
|
= |
5 |
|
- |
|
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
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|
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|
|
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|
13 |
|
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|
58 |
13 |
13 |
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= |
2 |
|
- |
|
20 |
2 |
2 |
|
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|
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|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
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|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
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= |
5 |
|
- |
|
5 |
5 |
5 |
|
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= |
5 |
|
- |
|
5 |
5 |
5 |
|
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29 |
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|
56 |
29 |
29 |
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= |
6 |
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- |
|
6 |
6 |
6 |
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= |
6 |
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- |
|
15 |
6 |
6 |
|
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= |
3 |
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- |
|
21 |
3 |
3 |
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= |
9 |
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- |
|
18 |
9 |
9 |
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24 |
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|
60 |
24 |
24 |
|
|
|
|
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|
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|
|
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|
|
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
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= |
- |
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- |
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6 |
6 |
6 |
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= |
- |
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- |
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9 |
9 |
9 |
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= |
- |
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- |
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22 |
4 |
4 |
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= |
- |
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- |
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5 |
5 |
5 |
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24 |
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42 |
24 |
24 |
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= |
1 |
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- |
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19 |
1 |
1 |
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= |
9 |
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- |
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9 |
9 |
9 |
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= |
6 |
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- |
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24 |
6 |
6 |
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16 |
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52 |
16 |
16 |
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1 |
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- |
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19 |
1 |
1 |
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= |
5 |
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- |
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5 |
5 |
5 |
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= |
4 |
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- |
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22 |
4 |
4 |
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= |
5 |
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- |
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5 |
5 |
5 |
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= |
5 |
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- |
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14 |
5 |
5 |
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20 |
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65 |
20 |
20 |
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= |
5 |
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- |
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5 |
5 |
5 |
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= |
9 |
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- |
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9 |
9 |
9 |
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= |
7 |
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- |
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= |
8 |
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- |
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8 |
8 |
8 |
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= |
2 |
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- |
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20 |
2 |
2 |
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31 |
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49 |
31 |
31 |
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= |
5 |
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- |
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14 |
5 |
5 |
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= |
9 |
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- |
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9 |
9 |
9 |
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= |
5 |
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- |
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14 |
5 |
5 |
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= |
5 |
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- |
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5 |
5 |
5 |
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24 |
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42 |
24 |
24 |
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208 |
91 |
1 |
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
3+0 |
|
1+6 |
4+5 |
- |
- |
- |
|
32 |
ADD |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+5 |
3+2 |
REDUCE |
4+5+8 |
1+9+7 |
1+9+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
REDUCE |
1+7 |
1+7 |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ONE TWO THREE FOUR
5 V 5
SIX SEVEN EIGHT NINE
3 |
|
34 |
16 |
7 |
- |
3 |
|
52 |
16 |
7 |
3 |
|
58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
|
56 |
29 |
2 |
- |
5 |
|
49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
|
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
|
|
42 |
24 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
208 |
91 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
3+0 |
|
1+6 |
4+5 |
- |
- |
- |
|
32 |
ADD |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+5 |
3+2 |
REDUCE |
4+5+8 |
1+9+7 |
1+9+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
REDUCE |
1+7 |
1+7 |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
34 |
16 |
7 |
- |
3 |
|
52 |
16 |
7 |
3 |
|
58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
|
56 |
29 |
2 |
- |
5 |
|
49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
|
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
ONE TWO THREE FOUR |
208 |
82 |
82 |
|
|
|
0 |
4 |
3 |
0 |
4 |
24 |
0 |
8 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
|
|
42 |
24 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
2 |
0 |
4 |
35 |
6 |
7 |
8 |
27 |
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
208 |
91 |
91 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
3+0 |
|
1+6 |
4+5 |
- |
- |
- |
|
32 |
ADD |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+5 |
3+2 |
REDUCE |
4+5+8 |
1+9+7 |
1+9+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
REDUCE |
1+7 |
1+7 |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
34 |
16 |
7 |
- |
3 |
|
52 |
16 |
7 |
3 |
|
58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
|
56 |
29 |
2 |
- |
5 |
|
49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
|
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
ONE TWO THREE FOUR |
208 |
82 |
82 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
|
|
42 |
24 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
208 |
91 |
91 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
208 |
91 |
91 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
3+0 |
|
1+6 |
4+5 |
- |
- |
- |
|
32 |
ADD |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+5 |
3+2 |
REDUCE |
4+5+8 |
1+9+7 |
1+9+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
REDUCE |
1+7 |
1+7 |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
34 |
16 |
7 |
- |
3 |
|
52 |
16 |
7 |
3 |
|
58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
|
56 |
29 |
2 |
- |
5 |
|
49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
|
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
ONE TWO THREE FOUR |
208 |
82 |
82 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
|
|
42 |
24 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
208 |
91 |
91 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
208 |
91 |
91 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
3+0 |
|
1+6 |
4+5 |
- |
- |
- |
|
22 |
ADD |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+5 |
2+2 |
REDUCE |
4+5+8 |
1+9+7 |
1+9+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
REDUCE |
1+7 |
1+7 |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
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5 |
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5 |
5 |
5 |
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= |
5 |
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- |
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23 |
5 |
5 |
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5 |
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5 |
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5 |
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= |
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15 |
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= |
6 |
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6 |
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6 |
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15 |
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= |
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- |
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15 |
6 |
6 |
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= |
6 |
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- |
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24 |
6 |
6 |
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= |
7 |
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- |
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= |
8 |
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- |
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8 |
8 |
8 |
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= |
8 |
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- |
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8 |
8 |
8 |
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= |
9 |
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- |
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18 |
9 |
9 |
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= |
9 |
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- |
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18 |
9 |
9 |
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= |
9 |
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- |
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9 |
9 |
9 |
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= |
9 |
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- |
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9 |
9 |
9 |
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= |
9 |
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- |
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9 |
9 |
9 |
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208 |
91 |
91 |
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6+0 |
3+0 |
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1+6 |
4+5 |
- |
- |
- |
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32 |
ADD |
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6+0 |
3+2 |
REDUCE |
4+5+8 |
1+9+7 |
1+9+7 |
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DEDUCE |
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REDUCE |
1+7 |
1+7 |
1+7 |
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DEDUCE |
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3 |
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34 |
16 |
7 |
- |
3 |
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52 |
16 |
7 |
3 |
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58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
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56 |
29 |
2 |
- |
5 |
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49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
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42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
CIRCLE = 50 5+0 = 5 = 5+0 50 CIRCLE
1234 5 6789
ONE TWO THREE FOUR = 208 = 2+0+8 = 10 1+0 = 1
NINE EIGHT SEVEN SIX = 208 = 2+0+8 = 10 1+0 = 1
FIVE THE FULCRUM OF THE BALANCES
5FIVE5
THE SPIRIT LEVEL OF THE LEVEL SPIRIT
1234 5 6789
SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
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1 |
2 |
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34 |
16 |
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2 |
4 |
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28 |
19 |
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3 |
2 |
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18 |
9 |
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6 |
4 |
4 |
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37 |
19 |
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5 |
3 |
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19 |
10 |
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6 |
4 |
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28 |
19 |
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4 |
7 |
2 |
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18 |
9 |
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8 |
5 |
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60 |
24 |
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1 |
9 |
3 |
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19 |
10 |
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10 |
4 |
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28 |
19 |
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11 |
2 |
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18 |
9 |
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12 |
4 |
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37 |
19 |
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13 |
5 |
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32 |
23 |
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9 |
14 |
3 |
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48 |
12 |
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15 |
4 |
|
26 |
17 |
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16 |
1 |
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1 |
1 |
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17 |
4 |
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48 |
21 |
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18 |
4 |
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48 |
21 |
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2 |
19 |
4 |
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47 |
20 |
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First Total |
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|
7+7 |
|
6+4 |
Add to Reduce |
5+9+4 |
2+9+7 |
7+2 |
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2+7 |
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Second Total |
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|
1+4 |
|
1+0 |
Reduce to Deduce |
1+8 |
1+8 |
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Essence of Number |
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|
THE JOURNEYMAN 1977